From stu@cs.uml.edu Thu Sep 15 13:39:10 1994 Date: 14 Sep 1994 19:25:34 GMT From: Stu Smith To: sci-virtual-worlds@uunet.uu.net Newsgroups: comp.graphics.visualization,comp.multimedia,comp.human-factors,sci.virtual-worlds Subject: ICAD '94 paper/poster/presentation list Dear Colleagues: Below please find the tentative list of papers and posters for ICAD 94, the second International Conference on Auditory Display, to be held in Santa Fe, New Mexico, November 7-9. For additional information, you can email "icad94@santafe.edu" and receive an automated reponse with registration and other information. For questions about ICAD presentations, please feel free to contact me. For conference logistics, you can contact Andi Sutherland at the Santa Fe Institute. Thanks. Gregory Kramer ****************** INVITED PAPERS: Chris Langton, Santa Fe Institute: Data Presentation Issues in SWARM and other Large Scale Simulations Steve Bryson:NASA-Ames: Data management and interactive visualization for computational fluid dynamics LONG PAPERS: (Smith, Pickett) A system for psychometric testing of auditory representations of scientific data. (Barrass) A perceptual framework for the auditory display of scientific data. (Mynatt) Designing with auditory icons. (Watson, Kidd) Factors in the design of effective auditory displays. (Lucas) An evaluation of the communicative ability of auditory icons and earcons. (Ballas) Effect of event variations and sound duration on sound identification. (Albers) Hybrid auditory interfaces, the Varese system, and satellite-ground control: Using auditory icons and sonification in a complex, supervisory control system. (Stevens, Brewster, Wright, Edwards) Design and evaluation of an auditory glance at algebra for blind readers. (J. Cohen) Out to lunch: Further adventures monitoring background activity. (Shinn-Cunningham, Durlach) Defining and redefining the limits on human performance in auditory spatial displays. (Hollander, Furness) Perception of virtual auditory shapes. (Arons) Efficient listening with two ears. (Hammershoi) Directional dependence of the free field sound transmission to the human external ear; verification of a model. (Jameson) The run-time components of Sonnet. (Mathur, Boardman) LSL: A specification language for program auralization. (Papp, Blattner) A Centralized Audio Presentation Manager. (Das) An Organization For High-Level Interactive Control of Sound (Choi) Sound synthesis and composition applied to observing chaotic systems. (Choi, Axen) Traversing alpha shapes for processing the geometrical data into sound. SHORT PAPERS: (Portigal, Carey) Auralization of document structure. (McQueen) Using sound as feedback for gesture input. (Bock) ADSL: An auditory domain specification language for program auralization. (Steeples) Voice annotation of visual representations in computer-mediated collaborative learning. (Macpherson) : On the role of head-related transfer function spectral notches in the judgement of sound source elevation. (Zahorik, Kistler, Wightman) : Sound localization in varying virtual acoustic environments. (Lueck): Efficient modeling of the head-related transfer functions. POSTERS AND/OR DEMOS (Abel, Foster) Measuring HRTFs in a reflective environment. (Bidlack) Virtual Sonic Space: A realtime 3D binaural audio localization algorithm. (Tucker, Davis) The Power Dac - a tool for spatial hearing and acoustic display research (Conolly, McGrath) Virtual acoutic displays with measured or modelled room ambience (Wightman, Kistler) poster: The importance of head movements for localizing virtual auditory display objects. (Grohn, Takala) MagicMikes - Adjustable aerial probes for sonification of spatial data sets. (Kennel, Thiel) How to integrate auditory symbols in user interfaces. (Pitt) Integrating speech and non-speech in interfaces for blind people. (Krispien) The GUIB spatial auditory display - Generation of an audio- based interface for blind computer users. (Poll, Eggen) GUI admission for VIPs: A sound initiative. (Boelke, Gorny) Auditory direct manipulation of acoustical objects by blind computer users. (Guggiana, Munteanu, Darvishi, Schauer, Rauterberg) Automatic sound generation for spherical objects hitting flat plates based on physical models compared with the real sound. (Chandra) CounterWave: A program for displaying and controlling degrees of independence between simultaneously changing waveforms. (Grigg, Novack) Design considerations for integrating an auditory display with electronic technical manuals. (Whitehead) Using Virtual Environment Technology to Present a Digital Sound Library. (Munakata) Gene sequence analysis with auditory display. (Julig, Kaiwi) Task-oriented qualitative testing for synthesized 3-D auditory displays. (Cohen) Besides immersion: Using audio windows to analyze music. (M=AFller) Binaural Synthesis: Controlling the Complete Transmission" Gregory Kramer Clarity/Listen.com Santa Fe Institute 1704 SW Spring Street Portland, OR 97201 503-223-9948 fax:503-223-8293 kramer@listen.com